In addition, if you write a good logline, the reader should be drawn into the main topic so that they don’t need to dig too deeply to find the next part of your text.
The other characters are of course essential as well, but you won’t need to spend pages upon pages introducing them and giving background to each. There are two main styles of story structure, either the narrative structure or the act structure. Each lends itself more naturally to specific types of scripts, so understanding these styles is really helpful when picking out how to structure your own script. One of the simplest forms of story structure is the logline, which is a summary of the entire story in one sentence.
Each act contains four to five acts, with a sub-act within each of those acts. Many aspiring writers struggle when it comes to developing a script that follows a conventional three-act structure. However, there are many tools you can use to help you structure your script so that it follows this structure easily. How to write a script that follows a three-act structure begins with the most basic part of writing, which is character development. In every script, there must be a character, so you’ll need to develop the personality of your protagonist before you move into setting or introducing themes. To give your audience a better understanding of your protagonist, start by giving him a name.
Although most scripts don’t always begin with a clear or distinct beginning scene, more successful writers include at least one major opening scene. This scene should be strong enough to hold the reader’s attention, but should also allow you to reveal more about the main character(s). The introduction of a plotline lets readers understand where they’ll be, who’s involved, or what’s going on in the main body of your text.
A logline will generally be the same every time, though some slight variations will be needed depending on the nature of the story. If the protagonist is described in the logline, this will serve as the “back story,” which is necessary to understand what’s happening. Most screenplay students find a two sentence logline to be far more compelling than a four page treatment. But if you’re working on a script about an adult who’s also an adult love interest, you’ll need to develop supporting characters as well. This is why it’s essential to keep the plot and the emotional beats in place, so you can develop the characters around the main event without confusing your reader. In a three-act structure, the focal point of the story moves from one act to the next.